月蝕 Lunar of Lak-Tshat
2024 烤漆鐵板、金屬支架
Baking Enamel Iron Plate, Metal Support
H110cm xW110cm x 8
福爾摩沙北海岸藝術季Formosa North Coast Arts Festival
裝置在石門洞潮間帶的八片烤漆的鐵板表現了月亮的盈虧。這些高低不一、遠近各異的「月亮」像是測量著每日潮汐變化，也在同一地點錯置了不同時間，像是表達月亮圓缺的科普圖示。《月蝕》延續了李勇志近年創作中對於材質耗損、痕跡與歷史感的關注，海水浸蝕加速了黃色烤漆的鏽蝕，大自然之力創造出的「掉漆月亮」，將成為另一種意義上的「月蝕」。
Installed in the intertidal zone of Shimen Cave, eight painted iron plates depict the waxing and waning of the moon. These "moons", varied in height and distance, seem to measure the daily changes of the tides, displacing different times at the same location, much like scientific illustrations of the moon's phases. "Lunar of Lak-Tshat" is the continuity of Lee Yung-chih's recent focus on material decay, traces and the sense of history in his work. The corrosion of the yellow paint by seawater accelerates the rusting process, and the "peeling moons" created by nature's force become a different kind of "moon eclipse".
補充說明
《月蝕》歷經兩次海浪的摧毀，開幕前一天搶救無效，作品有半數以上消失不見，而後颱風來襲像是被詛咒似的，所幸老天爺賞臉除了作品一一尋獲，還能趕在展期兩個周末前拼出一個「浩劫餘生」的草地版本。
Additional Information
Lunar of Lak-Tshat was destroyed by the waves three times, with more than half of the work disappearing. Fortunately, luck was on our side. Not only were all the pieces eventually recovered, but we were also able to assemble a "aftermath" version on the grass just in time for the exhibition's two weekends.
Baking Enamel Iron Plate, Metal Support
H110cm xW110cm x 8
福爾摩沙北海岸藝術季Formosa North Coast Arts Festival
裝置在石門洞潮間帶的八片烤漆的鐵板表現了月亮的盈虧。這些高低不一、遠近各異的「月亮」像是測量著每日潮汐變化，也在同一地點錯置了不同時間，像是表達月亮圓缺的科普圖示。《月蝕》延續了李勇志近年創作中對於材質耗損、痕跡與歷史感的關注，海水浸蝕加速了黃色烤漆的鏽蝕，大自然之力創造出的「掉漆月亮」，將成為另一種意義上的「月蝕」。
Installed in the intertidal zone of Shimen Cave, eight painted iron plates depict the waxing and waning of the moon. These "moons", varied in height and distance, seem to measure the daily changes of the tides, displacing different times at the same location, much like scientific illustrations of the moon's phases. "Lunar of Lak-Tshat" is the continuity of Lee Yung-chih's recent focus on material decay, traces and the sense of history in his work. The corrosion of the yellow paint by seawater accelerates the rusting process, and the "peeling moons" created by nature's force become a different kind of "moon eclipse".
補充說明
《月蝕》歷經兩次海浪的摧毀，開幕前一天搶救無效，作品有半數以上消失不見，而後颱風來襲像是被詛咒似的，所幸老天爺賞臉除了作品一一尋獲，還能趕在展期兩個周末前拼出一個「浩劫餘生」的草地版本。
Additional Information
Lunar of Lak-Tshat was destroyed by the waves three times, with more than half of the work disappearing. Fortunately, luck was on our side. Not only were all the pieces eventually recovered, but we were also able to assemble a "aftermath" version on the grass just in time for the exhibition's two weekends.
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