電影日記,日記電影 Film Diary, Diaries Film

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偷拍照片、底片、數位相框 Snapshot PhotoFilmDigital Photo Frame

120x40cm

作為一種時間性的想像,我嘗試在每一天極為類似的日常中製造某些因果關係,但又不明確說是以哪裡做為起點的電影蒙太奇

好比問我「該用什麼形式來寫日記(創作)?」,被車子輾過的底片、警察偷拍的照片,上下班的場景就這麼湊巧構成了這樣「如此平凡,卻又如此幸運」的有效劇情。面對來來往往的車輛,曝光失效可能只是「影像創作者」的悲涼,那等同於自己生活步調中某種抓不太到的「速差」,又尋求不同介面間交互指涉的可能。

As a temporal imagination, I try to make of some of the similar causal relationship in everyday, but do not explicitly say where is starting point at montage. 
Is like asking me "what form of the diary (writing)?" Run over by a car on the film, and police candid photos , Commuting time had constructed "so ordinary, yet so lucky" effective story. The face of coming vehicles, film exposure failures may only be "image creator" of sadness, That is equivalent to their pace of life in a not to grasp the "speed difference", but also for interaction between different interfaces may be referential.




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